BIBLIOGRAPHY
Fisher, Mark. "SF Capital." Transmat: Resources in Transcendental Materialism, 2001. Accessed Feb 17, 2020. www.cinestatic.com/trans-mat/Fisher/sfcapital.htm. Currently unavailable; personally archived.
Hu, Tung-Hui. A Prehistory of the Cloud. The MIT Press, 2016.
Jerry Lifsey. Comment on "AT&T You Will Ads From 1993 - Amazingly accurate predictions." YouTube, 2017. https://www.youtube.com/watch?v=4PJcABbtvtA&lc=UghoTeZIDtlTTHgCoAEC.
Chapter 1:
Bailey, Caroline. "China's full-time computer gamers." BBC News, 2006. http://news.bbc.co.uk/2/hi/business/5151916.stm
Balkin, Jack M. “Law and Liberty in Virtual Worlds.” NYLS Law Review, 2005.
Barlow, John Perry. “A Declaration of the Independence of Cyberspace." Electronic Frontier Foundation, 1996. www.eff.org/cyberspace-independence.
Bryant, Martin. “Think Second Life died? It has a higher GDP than some countries." The Next Web, 2015. www.thenextweb.com/insider/2015/11/07/think-second-life-died-it-has-a-higher-gdp-than-some-countries.
Cadwalladr, Carole, et al. “How Trump Consultants Exploited the Facebook Data of Millions." The New York Times, 2019. https://www.nytimes.com/2018/03/17/us/politics/cambridge-analytica-trump-campaign.html.
Cakebread, Caroline. "You're not alone, no one reads terms of service agreements." Business Insider, 2017. https://www.businessinsider.com/deloitte-study-91-percent-agree-terms-of-service-without-reading-2017-11.
Dibbell, Julian. “The Life of the Chinese Gold Farmer." The New York Times, 2007. https://www.nytimes.com/2007/06/17/magazine/17lootfarmers-t.html
---. "The Decline and Fall of an Ultra Rich Online Gaming Empire." Wired Magazine, 2008.
Ekbia, Hamid R., and Bonnie A. Nardi. Heteromation, and Other Stories of Computing and Capitalism. The MIT Press, 2017.
Fisher, Max, and Amanda Taub. “How YouTube Radicalized Brazil.” The New York Times, 2019. https://www.nytimes.com/2019/08/11/world/americas/youtube-brazil.html.
Frankenfield, Jake. “Second Life Economy.” Investopedia, 2018. www.investopedia.com/terms/s/second-life-economy.asp.
Galloway, Alexander. “Warcraft and Utopia.” CTHEORY, 2006.
Green, Joshua. Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency. Penguin Press, 2017.
Hu, Tung-Hui. A Prehistory of the Cloud. The MIT Press, 2016.
Kirschenbaum, Matthew. Mechanisms. The MIT Press, 2008.
Kücklich, Julian Raul. “Virtual Worlds and Their Discontents: Precarious Sovereignty, Governmentality, and the Ideology of Play.” Games and Culture, 2009.
Menkman, Rosa. "Glitch Studies Manifesto." Video Vortex Reader II: Moving Images Beyond YouTube. Network Notebooks 04, Institute of Network Cultures, Amsterdam, 2011.
Nakamura, Lisa. “Don’t Hate the Player, Hate the Game: The Racialization of Labor in World of Warcraft." Critical Studies in Media Communication, 2009.
Qiu, Jack Linchuan. Working-Class Network Society: Communication Technology and the Information Have-Less in Urban China. The MIT Press, 2009.
Yee, Nick. “Yi-Shan-Guan." The Deadalus Project: The Psychology of MMORPGS. www.nickyee.com/deadalus/archives/001493.php?page=8, 2006.
Chapter 2:
Apperley, Thomas H. "The Body of the Gamer: Game Art and Gestural Excess." Digital Creativity, 2013.
Betancourt, Michael. "Critical Glitches and Glitch Art." Hz Journal #19, 2014. https://hz-journal.org/n19/betancourt.html.
CD Projekt Group. "CD Projekt Group Q3 2019 Earnings." CD Projekt Group, 2019. https://www.cdprojekt.com/en/wp-content/uploads-en/2019/11/earnings-presentation_3q_2019-en.pdf.
Dayan, Joan. Haiti, History, and the Gods. University of California Press, 1995.
Dayus, Oscar. "The Witcher Dev Defends 'Cyberpunk' Trademark Following Controversy." Gamespot, 2017. https://www.gamespot.com/articles/the-witcher-dev-defends-cyberpunk-trademark-follow/1100-6449233/.
Eshun, Kodwo. "Further Considerations on Afrofuturism." CR: The New Centennial Review. Michigan State University Press, 2003.
Gibson, William. Neuromancer. Ace Books, 2000.
James, C. L. R. The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution, 1938.
Kane, Carolyn. "Compression Aesthetics: Glitch from the Avant-Garde to Kanye West." InVisible Culture, 2014. http://ivc.lib.rochester.edu/wp-content/uploads/2014/10/Kane-Compression-Aesthetics.pdf.
Momot, Marcin. @Marcin360. “1/2 Achieving full immersion in an FPP game is extremely important and the decision made by the team to go 100% first person in @CyberpunkGame is something that will benefit it greatly from gameplay and story telling perspectives.” Twitter, Sep. 2nd 2019, 7:39 a.m., https://twitter.com/Marcin360/status/1168488553732616194.
Pramath. "Cyberpunk 2077 Development Costs More Than The Witcher 3, Expected Sales To Be Even Bigger." Gaming Bolt, 2017. https://gamingbolt.com/cyberpunk-2077-development-costs-more-than-the-witcher-3-expected-sales-to-be-even-bigger
Sterling, Bruce. Burning Chrome by William Gibson. Harper Voyager, 2003.
---. "Slipstream." SF Eye #5, 1989.
therealmaxmike [Mike Pondsmith]. "Re: Interview with Mike Pondsmith!" Reddit, June 15th 2019. https://www.reddit.com/r/cyberpunkgame/comments/c05qw8/interview_with_mike_pondsmith/er9n6tj?utm_source=share&utm_medium=web2x. Accessed April 13th 2020.
Vanhanen, Janne. “Loving the Ghost in the Machine: Aesthetics of Interruption." CTHEORY, 2001. http://ctheory.net/ctheory_wp/loving-the-ghost-in-the-machine/.
Yin-Poole, Wesley. "CD Projekt explains why it went with first-person for Cyberpunk 2077." Eurogamer. https://www.eurogamer.net/articles/2018-06-14-cd-projekt-explains-why-it-went-with-first-person-for-cyberpunk-2077.
Hu, Tung-Hui. A Prehistory of the Cloud. The MIT Press, 2016.
Jerry Lifsey. Comment on "AT&T You Will Ads From 1993 - Amazingly accurate predictions." YouTube, 2017. https://www.youtube.com/watch?v=4PJcABbtvtA&lc=UghoTeZIDtlTTHgCoAEC.
Chapter 1:
Bailey, Caroline. "China's full-time computer gamers." BBC News, 2006. http://news.bbc.co.uk/2/hi/business/5151916.stm
Balkin, Jack M. “Law and Liberty in Virtual Worlds.” NYLS Law Review, 2005.
Barlow, John Perry. “A Declaration of the Independence of Cyberspace." Electronic Frontier Foundation, 1996. www.eff.org/cyberspace-independence.
Bryant, Martin. “Think Second Life died? It has a higher GDP than some countries." The Next Web, 2015. www.thenextweb.com/insider/2015/11/07/think-second-life-died-it-has-a-higher-gdp-than-some-countries.
Cadwalladr, Carole, et al. “How Trump Consultants Exploited the Facebook Data of Millions." The New York Times, 2019. https://www.nytimes.com/2018/03/17/us/politics/cambridge-analytica-trump-campaign.html.
Cakebread, Caroline. "You're not alone, no one reads terms of service agreements." Business Insider, 2017. https://www.businessinsider.com/deloitte-study-91-percent-agree-terms-of-service-without-reading-2017-11.
Dibbell, Julian. “The Life of the Chinese Gold Farmer." The New York Times, 2007. https://www.nytimes.com/2007/06/17/magazine/17lootfarmers-t.html
---. "The Decline and Fall of an Ultra Rich Online Gaming Empire." Wired Magazine, 2008.
Ekbia, Hamid R., and Bonnie A. Nardi. Heteromation, and Other Stories of Computing and Capitalism. The MIT Press, 2017.
Fisher, Max, and Amanda Taub. “How YouTube Radicalized Brazil.” The New York Times, 2019. https://www.nytimes.com/2019/08/11/world/americas/youtube-brazil.html.
Frankenfield, Jake. “Second Life Economy.” Investopedia, 2018. www.investopedia.com/terms/s/second-life-economy.asp.
Galloway, Alexander. “Warcraft and Utopia.” CTHEORY, 2006.
Green, Joshua. Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency. Penguin Press, 2017.
Hu, Tung-Hui. A Prehistory of the Cloud. The MIT Press, 2016.
Kirschenbaum, Matthew. Mechanisms. The MIT Press, 2008.
Kücklich, Julian Raul. “Virtual Worlds and Their Discontents: Precarious Sovereignty, Governmentality, and the Ideology of Play.” Games and Culture, 2009.
Menkman, Rosa. "Glitch Studies Manifesto." Video Vortex Reader II: Moving Images Beyond YouTube. Network Notebooks 04, Institute of Network Cultures, Amsterdam, 2011.
Nakamura, Lisa. “Don’t Hate the Player, Hate the Game: The Racialization of Labor in World of Warcraft." Critical Studies in Media Communication, 2009.
Qiu, Jack Linchuan. Working-Class Network Society: Communication Technology and the Information Have-Less in Urban China. The MIT Press, 2009.
Yee, Nick. “Yi-Shan-Guan." The Deadalus Project: The Psychology of MMORPGS. www.nickyee.com/deadalus/archives/001493.php?page=8, 2006.
Chapter 2:
Apperley, Thomas H. "The Body of the Gamer: Game Art and Gestural Excess." Digital Creativity, 2013.
Betancourt, Michael. "Critical Glitches and Glitch Art." Hz Journal #19, 2014. https://hz-journal.org/n19/betancourt.html.
CD Projekt Group. "CD Projekt Group Q3 2019 Earnings." CD Projekt Group, 2019. https://www.cdprojekt.com/en/wp-content/uploads-en/2019/11/earnings-presentation_3q_2019-en.pdf.
Dayan, Joan. Haiti, History, and the Gods. University of California Press, 1995.
Dayus, Oscar. "The Witcher Dev Defends 'Cyberpunk' Trademark Following Controversy." Gamespot, 2017. https://www.gamespot.com/articles/the-witcher-dev-defends-cyberpunk-trademark-follow/1100-6449233/.
Eshun, Kodwo. "Further Considerations on Afrofuturism." CR: The New Centennial Review. Michigan State University Press, 2003.
Gibson, William. Neuromancer. Ace Books, 2000.
James, C. L. R. The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution, 1938.
Kane, Carolyn. "Compression Aesthetics: Glitch from the Avant-Garde to Kanye West." InVisible Culture, 2014. http://ivc.lib.rochester.edu/wp-content/uploads/2014/10/Kane-Compression-Aesthetics.pdf.
Momot, Marcin. @Marcin360. “1/2 Achieving full immersion in an FPP game is extremely important and the decision made by the team to go 100% first person in @CyberpunkGame is something that will benefit it greatly from gameplay and story telling perspectives.” Twitter, Sep. 2nd 2019, 7:39 a.m., https://twitter.com/Marcin360/status/1168488553732616194.
Pramath. "Cyberpunk 2077 Development Costs More Than The Witcher 3, Expected Sales To Be Even Bigger." Gaming Bolt, 2017. https://gamingbolt.com/cyberpunk-2077-development-costs-more-than-the-witcher-3-expected-sales-to-be-even-bigger
Sterling, Bruce. Burning Chrome by William Gibson. Harper Voyager, 2003.
---. "Slipstream." SF Eye #5, 1989.
therealmaxmike [Mike Pondsmith]. "Re: Interview with Mike Pondsmith!" Reddit, June 15th 2019. https://www.reddit.com/r/cyberpunkgame/comments/c05qw8/interview_with_mike_pondsmith/er9n6tj?utm_source=share&utm_medium=web2x. Accessed April 13th 2020.
Vanhanen, Janne. “Loving the Ghost in the Machine: Aesthetics of Interruption." CTHEORY, 2001. http://ctheory.net/ctheory_wp/loving-the-ghost-in-the-machine/.
Yin-Poole, Wesley. "CD Projekt explains why it went with first-person for Cyberpunk 2077." Eurogamer. https://www.eurogamer.net/articles/2018-06-14-cd-projekt-explains-why-it-went-with-first-person-for-cyberpunk-2077.